Image ethics : the moral rights of subjects in photographs, film, and television / edited by Larry Gross, John Stuart Katz, and Jay Ruby.

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Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Howard S. Becker Introduction : a moral pause / Larry Gross, John Stuart Katz, and Jay Ruby Brian Winston Carolyn Anderson and Thomas W. Benson Access and consent in public photography / Lisa Henderson Robert Aibel John Stuart Katz and Judith Milstein Katz John David Viera Thomas Beauchamp and Stephen Klaidman Larry Gross Jack G. Shaheen John A. Hostetler and Donald B. Kraybill Toby Alice Volkman Thomas Waugh. Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics / Images, ethics, and organizations / The tradition of the victim in Griersonian documentary / Direct cinema and the myth of informed consent : the case of Titicut follies / Ethics and professionalism in documentary film-making / Ethics and the perception of ethics in autobiographical film Images as property / A study in multiple forms of bias / The ethics of (mis)representation / Perspectives on the television Arab/ Hollywood markets the Amish / Out of South Africa : The gods must be crazy / Lesbian and gay documentary : minority self-imaging, oppositional film practice, and the question of image ethics /

Image ethics : the moral rights of subjects in photographs, film, and television / edited by Larry Gross, John Stuart Katz, and Jay Ruby.

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